Now that my assignment has been sent off, I can get back to my explorations into colour and place. The mandalas are fun but don’t have a deeper meaning than what you see, at least not so far as I have divined so far. Today, I cam across a photographer who looks at the same concepts, but from a different angle.
Niall Benvie is a nature photographer with a wide range of interest, and his work caught my attention on http://www.naturephotoblog.com/. Niall has devised a process he calls Colour Transects, where he samples the colours of an image according to a set grid pattern. This produces a palette of colours which represent the image, but which also function as a device to encourage the viewer to move back and forth between the colour swatches and the images to find out where each colour swatch originated. He also titles the images with a latitude marker, as he’s interested in how the natural colour palette changes from south to north away from the Equator. His website is at https://niallbenvie.photoshelter.com/index.
I’ve been trying out his technique and here’s a screenshot of my first effort.
I think there is some potential here, not simply as a way of creating colour maps. Benvie’s concept of colours changing as one moves north or south is what has been niggling at the back of my mind. The colour palette of Australia is totally different from that of, for example, England or Iceland. Certain colours are strongly associated with the natural environment in each – ochres and very pale greens in outback Australia, bright greens and browns in England and blacks, whites and red in Iceland. My thinking on this is that it must be possible to capture a colour palette for each place which is definitive.