WARNING – this post contains images of nudity. NSFW
Several of my fellow students have been extremely helpful in sorting out how I should take the idea of working with a feminine or ungendered gaze on the nude male. My thanks to Stephanie, Micahel, Stefan, Kate and Gesa particularly and all the other poeple who have commented here on my blog and on the OCA Photography Students Facebook page – for me, the group feedback is a massive part of my thought distillation process and a part I could not do without. Their comments can mostly be seen under the Comments section in my previous post on the subject. The long and the short of it is that my original photos were actually quite traditional in their style and content, and that I needed to subvert them in some way to bring in the feminist perspective. Returning to my interest in C&N of using thread and cutting to alter images, I have been trying out a few different ideas and there is definitely something that I can work with here.
In the images below, I have firstly stitched the (Google Translated) Chinese word for womanly/obedient across the model’s rear and in the second, I have used a cross stich generator program to pixelate his genitals and then photoshopped the cross stitch colur chart in place of the real thing.
There is much research to do yet, on both the importance of tattoos (w/r to Image 1) and for both on the role of feminine arts such as sewing as acts of subversion to the genreally male-oriented artistic paradigm. (Note to self: look back at the concept of Subversive Stitching as a political statement)
Additionally, it has been suggested that I consider using Greek or Latin rather than Chinese to stitch words on the model’s body, which would reference the Ancient World’s obsession with sculpting the naked male figure. So much to think about, but I am moving this work onto Preparation for Assignment 4 in Coursework, as I will almost certainly be using it for the Assignment itself.